This publication is a quiet space for photographic observation—a place where the eye can rest and return. Inspired by the spirit of Camera Work (produced by Alfred Steiglitz) and the belief that photography is both an art and an act of attention, this zine brings together the work of two artists each quarter: one ongoing voice, and one invited guest.
Each issue gathers a collection of images: fragments of stillness, light, texture, and time. Most are mine. One guest joins me each season to share their way of seeing—our works placed in quiet conversation, without need for excessive commentary.
The Photozine is available form July (summer edition). If you want to subscribe the cost is £10 per copy, inclusive of postage within the UK only. Numbers are limited initially to 20 copies and is not intended for a wide circulation, however depending on demand, print runs will be expanded. - Send a message from the Contact page for enquiries.
Issue No 1 - Summer (£10)
This inaugural issue starts with a series of portrait images of the model Ivory Flame. Images are taken by Master Photographer, Tom Lee in the Pictorialist style. Images in monochrome and colour, reflect the themes and approach adopted by the likes of Steiglitz and Steichen.
The second half showcases the work of Barry Quatermass and his impressions of the landscape in Lofoten, Norway.
Contributions:
Submissions are welcomed and should be submitted in digital format to the address on the Contact Page. Images should be in TIFF format, RGB (Adobe 1998) colour space and 300ppi. Text can be accepted in RTF, Word or Pages format.
Submissions made to ‘Focus Quarterly’ are not a guarantee of publication. Acceptance is at the sole discression of the editor, and may be subject to editorial changes. Acceptance of the authors submission gives ‘Focus Quarterly’, unrestricted rights to reproduce any part thereof in promotion of the photozine.
‘Focus Quarterly’ cannot accept responsibitlity for loss of damage to images or manuscripts submitted, however caused. Views expressed in this publication are those of the individual contributors and do not necessarily reflect those of ‘Focus Quarterly’ or other third parties.
Whilst all third party copy is accepted in good faith, ‘Focus Quarterly’ accepts that all necessary permissions have been granted to the respected authors for reproduction and use in this publication. Copyright infringements and other legal issues arising from publication are the sole responsibility of the contributing authors.
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