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TALKS & WORKSHOPS
Following an exceptionally full programme of lectures, exhibitions and publication commitments during 2025, my calendar for 2026 is now largely committed. In order to maintain the quality and depth of future presentations, I will therefore be pausing new bookings for talks and judging engagements until 2027.
This period of consolidation will allow the development of a refreshed series of illustrated lectures reflecting current areas of photographic research and practice. All enquiries are nevertheless welcomed and will be responded to with care.
Workshops and previously confirmed engagements remain unaffected.
LECTURE PROGRAMME (from 2027)
These illustrated talks are designed for camera clubs, photographic societies and small specialist groups. Each presentation combines historical context, practical insight and visual examples drawn from my own working practice.
A modest fee is requested in order to cover preparation time and travel expenses.
BLACK & WHITE
An exploration of contemporary monochrome practice in the post-darkroom era.
The presentation examines considered approaches to colour-to-black-and-white conversion using standard digital tools, together with discussion of tonal control and the expressive qualities of the final print.
Duration: approximately 90–120 minutes
THE PRINT SHOW
A presentation centred on the experience of the photographic print as physical object.
Original works are shown and discussed, including giclée prints, glass plate images and examples of hand-crafted alternative processes.
Duration: approximately 90–120 minutes
WET PLATE COLLODION
A historical and practical introduction to the wet plate process first introduced by Frederick Scott Archer in 1851.
The talk outlines materials, workflow and contemporary adaptations of the technique within fine art practice, with visual demonstrations and discussion of aesthetic possibilities.
Duration: approximately 90–120 minutes
PICTORIALISM
An illustrated overview of the Pictorialist movement and its continuing influence on expressive photographic practice.
Themes include atmosphere, tonal interpretation and the relationship between crafted process and artistic intention.
Duration: approximately 90–120 minutes
A HYBRID APPROACH (Orotones)
A focused presentation examining the dialogue between digital capture and historic glass plate processes.
Examples of contemporary Orotone work are discussed alongside practical considerations for photographers wishing to explore hybrid methodologies.
Duration: approximately 90–120 minutes
AN INTROVERTS GUIDE TO STREET PHOTOGRAPHY
A reflective presentation exploring observational approaches to photographing everyday life in public spaces.
Topics include visual awareness, working sensitively within social environments and developing a personal documentary voice.
Duration: approximately 90–120 minutes
WORKSHOP FORMAT
Workshops may be arranged either for photographic groups or as more intensive studio-based sessions.
Group Workshops (up to 10 participants)
A full-day practical workshop delivered at the host organisation’s venue.
A room capable of being darkened is required in order to facilitate process demonstrations and plate preparation.
Venue hire and associated local arrangements remain the responsibility of the booking organisation.
Studio Workshops (1–2 participants)
Smaller studio-based sessions allow for more concentrated individual guidance and a slower working pace.
These may also be arranged at suitable outdoor locations using mobile darkroom facilities.
For current fees, availability and practical requirements, please enquire via the Contact page.
DIGITAL MEETS ANALOGUE (GLASS PLATE OROTONES)
This workshop introduces the preparation of digital contact negatives and their application within contemporary alternative photographic practice. Participants are guided through the workflow used to create glass plate positives, from image preparation to final finishing stages.
Discussion includes the establishment of a simple “dimroom” environment that can be created within a home or studio setting, enabling photographers to reconnect with the tactile craft of image production.
Numbers are limited to ensure meaningful hands-on experience.
Participants will have the opportunity to produce their own glass plate image during the session using pre-prepared negatives and supplied materials.
WET PLATE COLLODION
A fully immersive introduction to the historic wet plate process first practised in the mid-nineteenth century.
Through demonstration and supervised practical work, participants gain an understanding of plate preparation, sensitising, exposure and development using large-format equipment.
The workshop provides an opportunity to experience portrait-making through a method that demands patience, collaboration and careful attention to light. Each participant will complete the day with a unique hand-made plate as a tangible record of the process.
All essential materials and equipment are provided.